Vol. 7, Issue 1, Part G (2025)

Bhavabhuti, one of the foremost dramatists of classical Sanskrit literature, presents an extraordinary vision of womanhood that challenges and transcends the normative gender paradigms of his time. This paper critically examines the multifaceted representations of women in Bhavabhuti’s three major plays Mahaviracharita, Malatimadhava, and Uttararamacharita. Through characters like Sita, Malati, Kamandaki, and Atreyi, Bhavabhuti constructs a literary space where women possess intellectual agency, emotional complexity, spiritual authority, and social visibility. The analysis explores themes such as female autonomy, emotional labor, participation in public and political spheres, spiritual renunciation, and pedagogical influence. While the narratives reflect upper-caste and courtly limitations, they simultaneously offer a progressive reimagining of feminine identity rooted in Dharma, ethical agency, and cultural leadership. By blending rasa theory with psychological depth, Bhavabhuti’s oeuvre demonstrates the potential of classical drama to engage with enduring questions of gender justice and representation. His works remain relevant in contemporary discourses, offering critical insights into the cultural history of gender and inspiring new interpretations of classical texts.